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The origin and history of the English language

the luminary of the eighth--to Alfred the great, the glory of the ninth, great as a prince, and greater as a scholar, seen in the evening twilight of an age in which the clergy could not read;--if justice were done to all such, we might find something, even in these dark and rugged times, if not to soften the grimness of the portrait, at least to give greater distinctness of feature.

In tracing the history of our language, Dr. Johnson, who does little more than give examples, cites as his first specimen of ancient English, a portion of king [sic--KTH] Alfred's paraphrase in imitation of Boethius. But this language of Alfred's is not English; but rather, as the learned doctor himself considered it, an example of the Anglo-Saxon in its highest state of purity. This dialect was first changed by admixture with words derived from the Danish and the Norman; and, still being comparatively rude and meagre, afterwards received large accessions from the Latin, the French, the Greek, the Dutch--till, by gradual changes, which the etymologist may exhibit, there was at length produced a language bearing a sufficient resemblance to the present English, to deserve to be called English at this day.

The formation of our language cannot with propriety be dated earlier than the thirteenth century. It was then that a free and voluntary amalgamation of its chief constituent materials took place; and this was somewhat earlier than we date the revival of learning. The English of the thirteenth century is scarcely intelligible to the modern reader. Dr. Johnson calls it "a kind of intermediate diction, neither Saxon nor English;" and says, that Sir John Gower, who wrote in the latter part of the fourteenth century, was "the first of our authors who can be properly said to have written English." Contemporary with Gower, the father of English poetry, was the still greater poet, his disciple Chaucer; who embraced many of the tenets of Wickliffe, and imbibed something of the spirit of the reformation, which was now begun.

The literary history of the fourteenth and fifteenth centuries is full of interest; for it is delightful to trace the progress of great and obvious improvement. The reformation of religion and the revival of learning were nearly simultaneous. Yet individuals may have acted a conspicuous part in the latter, who had little to do with the former; for great learning does not necessarily imply great piety, though, as Dr. Johnson observes, "the Christian religion always implies or produces a certain degree of civility and learning."--_Hist. Eng. Lang. before his 4to Dict._ "The ordinary instructions of the clergy, both philosophical and religious, gradually fell into contempt, as the Classics superseded the one, and the Holy Scriptures expelled the other. The first of these changes was effected by the early grammarians of Europe; and it gave considerable aid to the reformation, though it had no immediate connexion with that event. The revival of the English Bible, however, completed the work: and though its appearance was late, and its progress was retarded in every possible manner, yet its dispersion was at length equally rapid, extensive, and effectual."--_Constable's Miscellany_, Vol. xx, p. 75.

Peculiar honour is due to those who lead the way in whatever advances human happiness. And, surely, our just admiration of the character of the reformers must be not a little enhanced, when we consider what they did for letters as well as for the church. Learning does not consist in useless jargon, in a multitude of mere words, or in acute speculations remote from practice; else the seventeen folios of St. Thomas Aquinas, the angelical doctor of the thirteenth century, and the profound disputations of his great rival, Duns Scotus the subtle, for which they were revered in their own age, had not gained them the contempt of all posterity. From such learning the lucid reasoning of the reformers delivered the halls of instruction. The school divinity of the middle ages passed away before the presence of that which these men learned from the Bible, as did in a later age the Aristotelian philosophy before that which Bacon drew from nature.

Towards the latter part of the fourteenth century, Wickliffe furnished the first entire translation of the

Bible into English. In like manner did the Germans, a hundred and fifty years after, receive it in their tongue from the hands of Luther; who says, that at twenty years of age, he himself had not seen it in any language. Wickliffe's English style is elegant for the age in which he lived, yet very different from what is elegant now. This first English translation of the Bible, being made about a hundred years before the introduction of printing into England, could not have been very extensively circulated. A large specimen of it may be seen in Dr. Johnson's History of the English Language. Wickliffe died in 1384. The art of printing was invented about 1440, and first introduced into England, in 1468; but the first printed edition of the Bible in English, was executed in Germany. It was completed, October 5th, 1535.

"Martin Luther, about the year 1517, first introduced metrical psalmody into the service of the church, which not only kept alive the enthusiasm of the reformers, but formed a rallying point for his followers. This practice spread in all directions; and it was not long ere six thousand persons were heard singing together at St. Paul's Cross in London. Luther was a poet and musician; but the same talent existed not in his followers. Thirty years afterwards, Sternhold versified fifty-one of the Psalms; and in 1562, with the help of Hopkins, he completed the Psalter. These poetical effusions were chiefly sung to German melodies, which the good taste of Luther supplied: but the Puritans, in a subsequent age, nearly destroyed these germs of melody, assigning as a reason, that music should be so simplified as to suit all persons, and that all may join."-_Dr. Gardiner's Music of Nature_, p. 283.

"The schools and colleges of England in the fifteenth and sixteenth centuries were not governed by a system of education which would render their students very eminent either as scholars or as gentlemen: and the monasteries, which were used as seminaries, even until the reformation, taught only the corrupt Latin used by the ecclesiastics. The time however was approaching, when the united efforts of Stanbridge, Linacre, Sir John Cheke, Dean Colet, Erasmus, William Lily, Roger Ascham, &c., were successful in reviving the Latin tongue in all its purity; and even in exciting a taste for Greek in a nation the clergy of which opposed its introduction with the same vehemence which characterized their enmity to a reformation in religion. The very learned Erasmus, the first who undertook the teaching of the Greek language at Oxford, met with few friends to support him; notwithstanding Oxford was the seat of nearly all the learning in England."-Constable's Miscellany, Vol. xx, p. 146.

"The priests preached against it, as a very recent invention of the arch-enemy; and confounding in their misguided zeal, the very foundation of their faith, with the object of their resentment, they represented the New Testament itself as 'an impious and dangerous book,' because it was written in that heretical language. Even after the accession of Henry VIII, when Erasmus, who had quitted Oxford in disgust, returned under his especial patronage, with the support of several eminent scholars and powerful persons, his progress was still impeded, and the language opposed. The University was divided into parties, called Greeks and Trojans, the latter being the strongest, from being favoured by the monks; and the Greeks were driven from the streets, with hisses and other expressions of contempt. It was not therefore until Henry VIII and Cardinal Wolsey gave it their positive and powerful protection, that this persecuted language was allowed to be quietly studied, even in the institutions dedicated to learning."-Ib., p. 147.

These curious extracts are adduced to show the spirit of the times, and the obstacles then to be surmounted in the cause of learning. This popular opposition to Greek, did not spring from a patriotic design to prefer and encourage English literature; for the improvement of this was still later, and the great promoters of it were all of them classical scholars. They wrote in English, not because they preferred it, but because none but those who were bred in colleges, could read any thing else; and, even to this very day, the grammatical study of the English language is shamefully neglected in what are called the higher institutions of learning. In alleging this neglect, I speak comparatively. Every student, on entering upon the practical business of life, will find it of far more importance to him, to be skillful in the language of his own country than to be distinguished for any knowledge which the learned only can appreciate. "Will the greatest Mastership in Greek and Latin, or [the] translating [of] these Languages into English, avail for the Purpose of acquiring an elegant English Style?

No - we know just the Reverse from woeful Experience! And, as Mr. Locke and the Spectator observe, Men who have threshed hard at Greek and Latin for ten or eleven years together, are very often deficient in their own Language." - Preface to the British Gram, 8vo, 1784, p. xxi.


3. English literature


That the progress of English literature in early times was slow, will not seem wonderful to those who consider what is affirmed of the progress of other arts, more immediately connected with the comforts of life. "Down to the reign of Elizabeth, the greater part of the houses in considerable towns, had no chimneys: the fire was kindled against the wall, and the smoke found its way out as well as it could, by the roof, the door, or the windows. The houses were mostly built of wattling, plastered over with clay; and the beds were only straw pallets, with a log of wood for a pillow. In this respect, even the king fared no better than his subjects; for, in Henry the Eighth's time, we find directions, 'to examine every night the straw of the king's bed, that no daggers might be concealed therein.' A writer in 1577, speaking of the progress of luxury, mentions three things especially, that were 'marvellously altered for the worse in England;' the multitude of chimneys lately erected, the increase of lodgings, and the exchange of treen platters into pewter, and wooden spoons into silver and tin; and he complains bitterly that oak instead of willow was employed in the building of houses."--REV. ROYAL ROBBINS: Outlines of History, p. 377.

Shakspeare appeared in the reign of Elizabeth; outlived her thirteen years; and died in 1616 aged 52. The English language in his hands did not lack power or compass of expression. His writings are now more extensively read, than any others of that age; nor has any very considerable part of his phraseology yet become obsolete. But it ought to be known, that the printers or editors of the editions which are now read, have taken extensive liberty in modernizing his orthography, as well as that of other old authors still popular. How far such liberty is justifiable, it is difficult to say. Modern readers doubtless find a convenience in it. It is very desirable that the orthography of our language should be made uniform, and remain permanent. Great alterations cannot be suddenly introduced; and there is, in stability, an advantage which will counterbalance that of a slow approximation to regularity. Analogy may sometimes decide the form of variable words, but the concurrent usage of the learned must ever be respected, in this, as in every other part of grammar.

Among the earliest of the English grammarians, was Ben Jonson, the poet; who died in the year 1637, at the age of sixty-three. His grammar, (which Horne Tooke mistakingly calls "the first as well as the best English grammar,") is still extant, being published in the several editions of his works. It is a small treatise, and worthy of attention only as a matter of curiosity. It is written in prose, and designed chiefly for the aid of foreigners. Grammar is an unpoetical subject, and therefore not wisely treated, as it once very generally was, in verse. But every poet should be familiar with the art, because the formal principles of his own have always been considered as embraced in it. To its poets, too, every language must needs be particularly indebted; because their compositions, being in general more highly finished than works in prose, are supposed to present the language in its most agreeable form. In the preface to the Poems of Edmund Waller, published in 1690, the editor ventures to say, "He was, indeed, the Parent of English Verse, and the first that shewed us our Tongue had Beauty and Numbers in it. Our Language owes more to Him, than the French does to Cardinal Richelieu and the whole Academy. * * * * The Tongue came into His hands a rough diamond: he polished it first; and to that degree, that all artists since him have admired the workmanship, without pretending to mend it."--British Poets, Vol. ii, Lond., 1800: Waller's Poems, p. 4.

Dr. Johnson, however, in his Lives of the

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